“Drawing inspiration from Brian Wilson and George Harrison to Bowie and Harry Nilsson, EverybodyEverybody is a master class in songwriting and execution.” — Blurt
“This album is so daringly original and well nuanced, it defies both comparisons and expectations.” — No Depression
“Live At Galapagos Art Space ticks off all the right boxes and more…orchestral pop at its best.”
“Attains the same rarified air as Green is Good, like a unified double LP—so far. Just fabulous, again!” — The Big Takeover
“One of the more intriguing releases in quite some time…seamlessly stitches together dozens of different influences into a cohesive quilt of modern pop…not a bum track out of ten!”
— Pop That Goes Crunch!
“This album is rich, deep, full, and at times revelatory. And yet wasn’t recorded in a studio! This is Orchestral Pop of the highest order. It’s The Mamas and the Papas with strings. It’s a more contemporary, less preachy Blood Sweat and Tears.” —Berkeley Place
“His melodies are classic, unfettered lumps of yum, his arrangements seemed plucked from a different era and on the whole, Perry Serpa and his NYC-based orchestral pop outfit the Sharp Things have a wonderfully timeless quality to them.” —The Spill
“In the grand tradition of Randy Newman and Van Dyke Parks, The Sharp Things are a baroque pop lover’s dream come true—a frothy confection that’s equal parts Cole Porter opulence, brittle Hal David pop punch and lovelorn Left Banke flicker.” —Spendid