“Drawing inspiration from Brian Wilson and George Harrison to Bowie and Harry Nilsson, EverybodyEverybody is a master class in songwriting and execution.” — Blurt
“‘Everything Breaks’ manages the uncommon trick of being both lovely and urgent…an elegiac litany of facts, descriptions, and/or circumstances, creating a kind of beauty-meets-tragedy atmosphere” — Fingertips Music
“Live At Galapagos Art Space ticks off all the right boxes and more…orchestral pop at its best.”
“The Truth Is Like The Sun takes an even more scenic route to its destination than did Green Is Good. It is the most distinctive release I have heard this year. It may also be the single best.”
— Pop That Goes Crunch
“One of the more intriguing releases in quite some time…seamlessly stitches together dozens of different influences into a cohesive quilt of modern pop…not a bum track out of ten!”
— Pop That Goes Crunch!
“This album is rich, deep, full, and at times revelatory. And yet wasn’t recorded in a studio! This is Orchestral Pop of the highest order. It’s The Mamas and the Papas with strings. It’s a more contemporary, less preachy Blood Sweat and Tears.” —Berkeley Place
”’There Will Be Violins’ is one of those great album openers that’s about the album itself…It’s a statement of intent, and the intent is: this is not just another boring band with guitars.” —Working For The Clampdown
“Sporting a wavy timbre reminiscent of Gordon Lightfoot, Serpa swaths his nihilistic venom in a baby’s blanket of luscious melodies and panoramic arrangements — a Jimmy Webb for the disenfranchised.” —Amplifier